Sunday, May 1 1825

" Even Shakespeare and Molière," returned Goethe, "had no other view. Both of them wished, above all things, to make money by their theaters. In order to attain this, their principal aim, they necessarily strove that everything should be as good as possible, and that, besides good old plays, there should be some clever novelty to please and attract. The prohibition of Tartuffe was a thunderbolt to Molière; but not so much for the poet as for the director Molière, who had to consider the welfare of an important troupe, and to find some means to procure bread for himself and his actors."


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