Critical Readings
This section of Jane Austen in Context includes new and classic critical readings of Austen—including interpretations of her whole body of work and of each of her six completed novels. To access these readings please select from the links below.
On Austen
Virginia Woolf, “Jane Austen” [from The Common Reader]
D.W. Harding, “‘Regulated Hatred’: An Aspect in the Work of Jane Austen”
Raymond Williams, from “Three Around Farnham” [from The Country and the City]
David Lodge, “Jane Austen’s Novels: Form and Structure”
Franco Moretti, from Atlas of the European Novel 1800–1900
Brian Southam, “The Novelist and the Navy” [from Jane Austen and the Navy]
E.J. Clery, from “Austen and Masculinity”
Edward Copeland, “Money” [from The Cambridge Companion to Jane Austen]
Sense and Sensibility
Eve Kosofsky Sedgwick, “Jane Austen and the Masturbating Girl”
Gene W. Ruoff, “Wills” [from Jane Austen’s Sense and Sensibility]
Patricia Meyer Spacks, from “Privacy, Dissimulation, and Propriety: Frances Burney and Jane Austen”
Shawn Lisa Maurer, “At Seventeen: Adolescence in Sense and Sensibility”
Pride and Prejudice
E.M. Halliday, “Narrative Perspective in Pride and Prejudice”
Alex Woloch, from “Narrative Asymmetry in Pride and Prejudice” [from The One vs. the Many]
Amy Baker, “Caught in the Act of Greatness: Jane Austen’s Characterization of Elizabeth and Darcy by Sentence Structure in Pride and Prejudice”
Mansfield Park
Lionel Trilling, “In Mansfield Park”
Alastair Duckworth, “Mansfield Park and Estate Improvements: Jane Austen’s Grounds of Being”
Edward Said, from “Jane Austen and Empire” [from Culture and Imperialism]
Susan Fraiman, “Jane Austen and Edward Said: Gender, Culture, and Imperialism”
Brian Southam, “The Silence of the Bertrams”
Daniel O’Quinn, “Jane Austen and Performance: Theater, Memory, and Enculturation”
Emma
Wayne C. Booth, “Point of View and the Control of Distance in Emma”
Patricia Meyer Spacks, from “The Talent of Ready Utterance” [from Gossip]
John Wiltshire, “Health, Comfort, and Creativity: A Reading of Emma”
Catherine Ingrassia, “Emma, Slavery, and Cultures of Captivity”
Northanger Abbey
Toby R. Benis, “The Neighborhoods of Northanger Abbey”
Persuasion
Adela Pinch, “Lost in a Book: Jane Austen’s Persuasion”
Melissa Sodeman, from “Domestic Mobility in Persuasion and Sandition”
Katie Gemmill, “Jane Austen as Editor: Letters on Fiction and the Canceled Chapters of Persuasion”
Taylor Walle, from “‘He looked quite red’: Persuasion and Austen’s New Man of Feeling”
Permissions Acknowledgements
Permissions Acknowledgements are available at this link.